Two mismatched security guards are thrown together to bust a smuggling operation. Earl and Hank have only one thing in common: they're both L.A.P.D. rejects. One just got kicked out, the other can't even get in. After confronting each other on opposite sides of the law during a traffic stop that escalates out of control, these two luckless individuals end up partnered as lowly security guards. Despite being damned to the lowest rung of the law enforcement ladder, Earl and Hank uncover a sophisticated smuggling operation led by Nash and his band of thugs. When Earl and Hank get their hands on some hot property, they go on the run from, first the bad guys, then the L.A.P.D.–led by Lt. Washington and Detective McDuff. What these two unlikely partners do to law enforcement is a crime, but they just might save the day. That is, if they don't kill each other first. Another buddy-buddy cop movie. Martin Lawrence is a funny guy. I like most of his movies from Blue Streak to What's The Worst That Could Happen? But his part is "too black" if you can understand. Everything is always racial and his white security guard buddy is always the butt end of the problem or joke. I'd wait til it comes out to rent if I were you. It's taken about 14-15 months, but finally something's come along to eclipse Rollerball in general suckiness! Still, you have to be impressed that someone actually pays Lawrence to make movies, on the basis of him having once been in a film with Will Smith …<br/><br/>Maybe it's a new genre of movie? I mean, who needs acting, comedy, action, reasonable special effects, a story, a theme, atmosphere, music or visuals? The plot is astoundingly senseless.
Charmoryn replied
291 weeks ago